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Diana works with negative spaces in sculpture, which creates art that pulls you into the piece.
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In the Suspended After Image, she basis the start on a fresco from The Prado - a robe from an unknown author. She then casts the robe, minus the wearer, as the column that anchors the piece.
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| Detail of the robe in Suspended After Image |
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| Suspended After Image |
In At The Vanishing Point, she removes the people from a fresco by Jacopo - The Visitation. This focuses the work on the plane and structure of the mountain landscape.
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| At The Vanishing Point |
In her painting, which she doesn't title, she explores the effect of layering and removing excess. Her work was fascinating and moving.
I loved the paintings - even though she whips them out to understand the negative images.