Life On The Road As Therapy
The
Mad Ones, now on-stage at 59 E 59 Theaters, is a musical of both youthful exuberance
and heartbreak. In a very non-New York centric way, it uses the analogy of cars
and the road for freedom. For most of America, it is an obvious metaphor. The title itself refers to the characters from
Jack Kerouac’s novel, On The Road – The Mad Ones are the freewheeling group
that speaks to our heroine.
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| L-R: Emma Hunton (as Kelly) and Krystina Alabado (as Samantha Brown) in Kait Kerrigan and Brian Lowdermilk’s THE MAD ONES at 59E59 Theaters. Photo by Richard Termine |
Samantha
(Krystina Alabado) is a teenager on the cusp of adulthood, and all the emotional
baggage that entails. She longs to be crazy and free - in general terms like
the characters in Kerouac’s novel and, in specific, like her friend Kelly (Emma
Hunton). She and Kelly have taken road trips, stayed out late talking through
the night, and planned to chuck it all and just drive away. Kelly was Samantha’s
best friend and instigator. But Kelly was killed right before graduation, and
Samantha has been frozen since.
Samantha’s
mother, Beverly (Leah Hoaking), is a dynamic professor, brilliant woman and overly
protective single mother. She wants Samantha, High School Valedictorian, to
attend an Ivy League school and become a success. Samantha is pulled between
the future her mother wants and the future her friend Kelly offers. Thrown into
the mix is her unobtrusive and supportive, if a bit dim, boyfriend Adam (Jay
Armstrong Johnson). Adam is just “there” for Samantha, the sweet boy without an
agenda, unloved both Kelly and her mother.
These
competing forces converge one night as Samantha is about to drive away from
home, maybe to college, maybe just drive away. She sits caught between the
competing visions of her future. The Mad Ones is a musical set against these competing visions, and the cast has the
pipes to carry the show beautifully. Each actor has at least one moment in song
that is touching, but the stars of this show are Krystina Alabado and Emma Hunton.
Their voices are wonderful and their scenes together are a joy.
But
this combination is also key to the drawback of The Mad Ones. Together, Kelly
drives Sam into action. However, when alone, Samantha is a passive character. True, she longs for something, that something is frustratingly undefined. Samantha is a reactive
creature: reacting to her friend, her mother or her boyfriend in turn. When
alone, her youthful confusion has a tendency to turn into whining.
Most
of the songs (Kait Kerrigan and Brian Lowdermilk) are very good: catchy and fun
or serious and soulful. There is an overreliance on the metaphor of a car as
freedom, which grinds after a while. The sparse direction of Stephen Brackett
is perfect for the space here. It is a spare story in a spare space and he
allows the actors to fill it with pathos and song. The Mad Ones may not make
you wish for a road trip, but you definitely want the best for our little Sam,
all grown up now.
The Mad Ones | Book, Lyrics & Music: Kait Kerrigan, Brian Lowdermilk | Director: Stephen Brackett | Cast: Krystina Alabado, Leah Hocking, Emma Hunton, Jay Armstrong Johnson | Website