Thursday, July 24, 2014

Movie of the Day – July 24: One From The Heart

The movie that killed Coppola Studios.  If ever there was a beautiful failure, it is, sadly, One From The Heart.  It is a musical-ish.  That is there are a lot of songs to describe the actors feelings, but the are all writing by Tom Waits, and sung by Tom Waits and Crystal Gale.  They stand in for the characters musically.
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It stars Terri Garr and Fredric Forrest as a couple hitting the seven year itch, even though they are married, and it hasn’t been seven years.  Terri Garr falls for a handsome singer / waiter that wants to sweep her off her feet (Raul Julia) and Fredric Forrest spends an evening of magic (but no sex) with Nastassja Kinski in one her first roles.

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Set in Las Vegas, Francis Coppola ultimately built the entire mini-downtown on a back-lot in Northern California.  Vegas was compact and neon-y enough for him.  However he did kind of come up with the idea of a Neon Graveyard, since turned into an actual museum / attraction in Vegas.  The movie is bathed in blue lights for Fredric Forest and warm reds for Terri Garr.  It is stunning.
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It is a great movie, although Coppola sliced out his own beginning, which is magical and shows Terri Garr not as the wronged woman, but as one of two real-life people having issues.  The original opening is on the 2nd disk.  Watch it and see what I mean.  I saw the original opening in LA at the Plitt (memories!) in a packed house.  It opened in LA, Chicago and New York.  Played to packed houses in LA and empty ones in Chicago and New York.  It died a quiet death.
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Some shots are freakishly good, although you can’t always get the full effect on TV.  On the big screen Terri and her best friend (a young Lani Kazan!) are talking about the relationship in one apartment and Fredric Forest and his friend (the ubiquitous Harry Dean Stanton) in another apartment across town.  But the shot is done on a single stage, with the “wall” between the two rooms painted gauze.  To change locations, Copolla doesn’t cut away but raises and lowers the lights so the wall is see through (and film through).  (Actually – just watching the trailer – you see a flash towards the end as they both hang up the phone at the same time.)
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It this movie doesn’t move you, you need your “move you” emotions checked.
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Coppola, who had big, nay gigantic plans for a new Zoetrope Studios, lost his shirt, the studio and his backing with this picture.
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And yes, that is a real plane that flys over the set at the end of the movie.  Look at the trailer.  They are SO YOUNG!!